With such aspects as the value of a comprehensive aesthetic object, the public nature of the city's lack of bronze sculpture, the lack of skills and grasp of the subject will affect the overall value of the deviation, and so impossible to reflect the strengths in other areas. From the perspective of jades can be seen in the development process the bronze sculpture has absorbed some advanced factors of culture of the Neolithic stage. A certain number and diversity of content is of course necessary, but too many bronze sculptures produced by repetitive stimulation can easily exceed one focus, thinking can limit and lead to fatigue, so that things like this city a bronze statue of the person's overall less attractive place gradually in the background of. As a landmark in the city image elements, although the shape of solidified bronze sculpture, but its meaning can be along the lines of the psychological crowd gradually spread, and produce their own sphere of influence.
From this point of view, more confirms the city's public nature of bronze sculpture, as a symbol of the city arising from externalities. Many non-homogeneous region for the analysis of ideas, naturally bronze sculpture can be applied to urban planning in the past. Bronze sculpture of the meaning of the times. The chinese bronze sculpture at that time has borrowed the ideas from other species, such as the jade dragon, jade pig dragon of Hongshan culture. The bronze sculpture, bronze sculptor international business to create an international exchange platform for the re-assimilation of modern bronze sculptures of the city's aesthetic expression, constitutes the aesthetic of today's urban culture back to the depth of an effort. Clearly, the results of such efforts can not be any artistic activities with the past in the same breath. Bronze sculpture by international camp in Xinjiang, Urumqi, national artist of the city created a great bronze sculpture.
These bronze sculptures show the artist's artistic vision and cultural ideas, although they return to the aesthetics of the modern atmosphere of great gains on today's bronze sculpture art, these works certainly show extraordinary artistic quality. Furthermore, with the continuous development and innovation, the china bronze sculpture enriches the cultural connotation of Shang. In this sense, how to provide updated and more impact of art elements, which we need to deal with more urgent problems. Such as "organic movement", "swing", "rotate", "outbreak", "Mirror Moon", "a better season," "Power" and "connection" (male), "expect", "eternal" "Urumqi No. 1", "Na Mita" and so on, the spirit of these works in a circle and culture media, creative ideas and concepts form the system into the ideal living activities, but the deep and universal meaning , seem to be more specifically reflected in the aesthetic field of science and art, questioning its modern sense, but also a corresponding need to study the level of artistic research.
Traditional aesthetic norms does have a strong power in the contemporary bronze sculpture once again facing a return to the original specifications do breakthrough aesthetic challenges. The creation of the bronze sculpture adds splendor to the Chinese culture. This in itself can be sufficient to characterize the contemporary Chinese art does not change so people think and look forward to deep and intense, the aesthetic norms of modernity in contemporary China is also an unfinished business. For example, in "balance", "birds", "Forest of the bow," "looking at the sky," "occasional," "Dream of the Road," "mother," "guardian angel", "sail", "natural rhythm, "" gaze, "" Fly, "" source, "" Rain, "" Half Moon climb, "" Low "," Ode to Joy "," Tianshui "," printing - River upstream "and other works , the artists attempt to explore the art, apparently with a very strong modern characteristics, for example, a sense of common destiny of mankind and the profound grasp of artistic exploration, which is typical of modern aesthetics.
No comments:
Post a Comment